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Rashied Ali Quintet - First TIme Out / Live At Slug'sThe musical legacy of Rashied Ali receives a powerful rejuvenation with the publication of a previously unissued set by Alis group, recorded live at Slugs in 1967. This obscure appearance may have been only the second time that Ali had led a band in public. Band membership is stellar and unprecedented, and the tunes they play predate all known segments of Rashieds career as a composer or bandleader. Drummer Rashied Ali (19332009) was still officially
The musical legacy of Rashied Ali receives a powerful rejuvenation with the publication of a previously unissued set by Ali’s group, recorded live at Slugs in 1967. This obscure appearance may have been only the second time that Ali had led a band in public. Band membership is stellar and unprecedented, and the tunes they play predate all known segments of Rashied’s career as a composer or bandleader.
Drummer Rashied Ali (1933–2009) was still officially on the job as John Coltrane’s drummer when he assembled this band for perhaps as little as two sets of music in the Spring of 1967. It’s about the first documentable activity for the late tenor saxophonist Ramon Morris, who had thoroughly absorbed the lessons of John Coltrane, post 1961. Trumpeter Dewey Johnson (who, like Morris, died months before this release) had his peak moment of fame two years prior, appearing with Coltrane on the orchestral Free Jazz masterpiece Ascension. Pianist Stanley Cowell was just emerging as a distinctive voice among the open-minded ‘Young Lions’ of the day, on his way from Marion Brown’s quartet to groups led by Max Roach. Bassist Reggie Johnson was already familiar with Slugs; he had worked there, alongside Ali and Cowell, across the previous two years.
Little or no announcement heralded this gig; It may well be that only the neighborhood regulars and Ali’s associates (might Trane himself have been there?) would have known about it. But the players came to burn: They crackled and glowed in long treatments of Rashied’s loosely-structured pieces. Ali has more to say here as a soloist than in the several years of his recording career prior, and all of the musicians show a side different from how they appeared on records.
This stereo recording gives us a front row seat—with all the grit and mayhem from those heady times. Meticulous remastering from the original tapes has polished this bit of East Village verité into a riveting, glistening-but-raw pearl from the black underground of the Sixties.
Drummer Rashied Ali (1933–2009) was still officially on the job as John Coltrane’s drummer when he assembled this band for perhaps as little as two sets of music in the Spring of 1967. It’s about the first documentable activity for the late tenor saxophonist Ramon Morris, who had thoroughly absorbed the lessons of John Coltrane, post 1961. Trumpeter Dewey Johnson (who, like Morris, died months before this release) had his peak moment of fame two years prior, appearing with Coltrane on the orchestral Free Jazz masterpiece Ascension. Pianist Stanley Cowell was just emerging as a distinctive voice among the open-minded ‘Young Lions’ of the day, on his way from Marion Brown’s quartet to groups led by Max Roach. Bassist Reggie Johnson was already familiar with Slugs; he had worked there, alongside Ali and Cowell, across the previous two years.
Little or no announcement heralded this gig; It may well be that only the neighborhood regulars and Ali’s associates (might Trane himself have been there?) would have known about it. But the players came to burn: They crackled and glowed in long treatments of Rashied’s loosely-structured pieces. Ali has more to say here as a soloist than in the several years of his recording career prior, and all of the musicians show a side different from how they appeared on records.
This stereo recording gives us a front row seat—with all the grit and mayhem from those heady times. Meticulous remastering from the original tapes has polished this bit of East Village verité into a riveting, glistening-but-raw pearl from the black underground of the Sixties.
released January 10, 2020
Rashied Ali Quintet
Dewey Johnson (Trumpet)
Ramon Morris (Tenor Saxophone)
Stanley Cowell (Piano)
Reggie Johnson (Bass)
Rashied Ali (Drums)
Rashied Ali Quintet
Dewey Johnson (Trumpet)
Ramon Morris (Tenor Saxophone)
Stanley Cowell (Piano)
Reggie Johnson (Bass)
Rashied Ali (Drums)
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★★★★★ 5
edger
given as gift but I liked the weight and ease of handling. Seemed well made and simple to use. I was pleased with size and features.
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Reviewed in the United States on January 1, 2026
★★★★★ 3
Nice Edger as long as the blade doesn't come loose -- and it will come loose, repeatedly!
Probably could've/should've rated this 2 stars yet it works well when it works. I purchased this edger to edge my drive and sidewalks and not for trenching. The edger arrived very quickly after I ordered it (I am not a Prime member so this was a nice surprise). Assembly was easy and straight-forward. The first use went smoothly and the edger performed flawlessly and provided clean, smooth edging. About 20 minutes into the second use I noticed that the edger was cutting and quickly determined that the blade was spinning freely -- fortunately the hex nut was still attached to the threaded shaft. I reviewed the manual that came with the edger, grabbed the correct sized socket and torque wrench. I removed the hex nut, the first washer, the blade and then the second washer. To install I followed the directions ensuring that the flats of the washer aligned with the flat on the shaft and tightened the hex nut to the specified 140 in-lbs. The edger worked well for about 10 minutes and the blade once again became loose. This time I replaced the original blade (which did not need to be replaced from a wear perspective) with a new B&D blade and new washers. Once again I followed the instructions and this time the edger performed flawlessly until about 5 minutes remaining in my edging when once again the blade came loose. my experience has most certainly been frustrating to say the least. one should not need to carry a socket and torque wrench with them and repeatedly need to tighten the blade. So, when the edger performs as intended it does an excellent job at edging; however I have no confidence that this edger will be able to perform as intended throughout repeated uses and more importantly has shown that it cannot complete my edging without requiring tightening the blade (which requires disassembly down to the second keyed washer). Potential buyers should be prepared for this experience and make your decision accordingly. Note: I tried contacting black and decker via twitter (@blackdeckerhome) and never received a response; I could not find a separate customer service/support twitter account. Trying to contact customer service via the phone these days is an exercise in patience to say the least.
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Reviewed in the United States on November 11, 2022
★★★★★ 5
Trimmer results
Was alittle hesitant with this being B&D
But I was surprised how great it really is.
By far way above my expectations. Works like a charm and does a great job. Chose electric because I really don't have other than a driveway to do. But it really did good around the flower beds.
Cord limits you alittle but nothing to cry about. Quiet also but still use ear plugs.
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Reviewed in the United States on May 9, 2026
★★★★★ 5
Easy to use
Style: 20V Pwr Drv Trimmer (LST522-CA)
Light weight perfect for edging around the yard.
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Reviewed in the United States on April 24, 2026
★★★★★ 5
Works great-easy-breezy!
Style: 20V Pwr Drv Trimmer (LST522-CA)
Wifey loves this!
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Reviewed in the United States on April 26, 2026